FUNKE AKINDELE: PROMOTING VALUES THROUGH FILM
The desire to
promote good values as well as the need to give back to the society and make a
difference are the driving forces for Ms. Funke Akindele. Speaking at the April
2014 edition of the Filmmakers’ Forum of the Nollywood Studies Centre, Ms.
Akindele stated, “Before I take up any role, I think about the message
I’ll be passing.” She went on to add that her choices of roles as an
actress were guided by the framework of the Nigerian culture and its value
system. She emphasised the importance of
promoting good values, especially with respect to the protection of children.
This, in addition to the protection of her personal brand, has sometimes led
her to request that certain aspects of a screenplay be toned down in order for
her to accept the offered role.
promote good values as well as the need to give back to the society and make a
difference are the driving forces for Ms. Funke Akindele. Speaking at the April
2014 edition of the Filmmakers’ Forum of the Nollywood Studies Centre, Ms.
Akindele stated, “Before I take up any role, I think about the message
I’ll be passing.” She went on to add that her choices of roles as an
actress were guided by the framework of the Nigerian culture and its value
system. She emphasised the importance of
promoting good values, especially with respect to the protection of children.
This, in addition to the protection of her personal brand, has sometimes led
her to request that certain aspects of a screenplay be toned down in order for
her to accept the offered role.
Earlier, at the
start of the Forum, Ms. Akindele narrated how she began her acting career. She
had always wanted to act, she said, and she had the full support of her mother.
After obtaining an Ordinary National Diploma (OND) in Mass Communication from
the Ogun State Polytechnic, in 1995, she decided to study Theatre Arts.
However, her father insisted on her studying Law, and she got a place in the
University of Lagos to do just that. But this did not stop her from attending
auditions and seeking an entry point into the film industry.
start of the Forum, Ms. Akindele narrated how she began her acting career. She
had always wanted to act, she said, and she had the full support of her mother.
After obtaining an Ordinary National Diploma (OND) in Mass Communication from
the Ogun State Polytechnic, in 1995, she decided to study Theatre Arts.
However, her father insisted on her studying Law, and she got a place in the
University of Lagos to do just that. But this did not stop her from attending
auditions and seeking an entry point into the film industry.
Her first role came
in 1997 in Opa Williams’ Naked Wire, and she also got minor roles in a couple
of other movies. Her big break, however, came with the television series, I
Need to Know, which was directed by Lloyd Weaver and produced by his outfit,
Swift Studios. It was a big break in more than one sense because she seized the
opportunity to learn the ropes of production. But this still did not open the
doors of the English filmmaking sector to her. She had better luck with Yoruba
films, which she turned to on the advice of others. Ms. Akindele seized the
opportunity to emphasise the importance of determination and self-confidence
for the thespian. It will always be a tough struggle, she said, and encouraged
budding actors to always hold on to their dreams.
in 1997 in Opa Williams’ Naked Wire, and she also got minor roles in a couple
of other movies. Her big break, however, came with the television series, I
Need to Know, which was directed by Lloyd Weaver and produced by his outfit,
Swift Studios. It was a big break in more than one sense because she seized the
opportunity to learn the ropes of production. But this still did not open the
doors of the English filmmaking sector to her. She had better luck with Yoruba
films, which she turned to on the advice of others. Ms. Akindele seized the
opportunity to emphasise the importance of determination and self-confidence
for the thespian. It will always be a tough struggle, she said, and encouraged
budding actors to always hold on to their dreams.
In 2004, she decided
to bring into play all that she had learnt about production on the set of I
Need to Know, and she made her first film, Ojoketala (The Thirteenth Day). Her
delving into production, according to Ms. Akindele, was facilitated by her
curiosity and interest in learning about the different aspects of filmmaking.
“When I make films, I oversee every aspect closely such that a
cinematographer once asked me with irritation whether I am a
camerawoman.” Ojoketala was
followed by other films such as Itanu and Taiwo Taiwo. But the film that has
made her well known, and which provided one of her major roles, was Jenifa.
to bring into play all that she had learnt about production on the set of I
Need to Know, and she made her first film, Ojoketala (The Thirteenth Day). Her
delving into production, according to Ms. Akindele, was facilitated by her
curiosity and interest in learning about the different aspects of filmmaking.
“When I make films, I oversee every aspect closely such that a
cinematographer once asked me with irritation whether I am a
camerawoman.” Ojoketala was
followed by other films such as Itanu and Taiwo Taiwo. But the film that has
made her well known, and which provided one of her major roles, was Jenifa.
The decision to
make Jenifa arose from the desire to make an impact by passing a message on
moral norms aimed at parents and their daughters. In this case, she was
concerned about prostitution on the university campus. However, the realisation
that similar stories had already been told in other films underlined the need
to tell the story differently so as to make the message register, hence the use
of humour.
make Jenifa arose from the desire to make an impact by passing a message on
moral norms aimed at parents and their daughters. In this case, she was
concerned about prostitution on the university campus. However, the realisation
that similar stories had already been told in other films underlined the need
to tell the story differently so as to make the message register, hence the use
of humour.
“Producing
Jenifa was difficult,” Ms Akindele noted, due largely to the challenges
faced in raising the funds. She had not intended to play the lead role but,
after three days of fruitless auditioning, she was forced to take it on. She
created the character around the idea of a “wannabe village girl” and
imbued her with different mannerisms that she had observed in different
persons. “I carried out a lot of research for the character and travelled
as far as Oshogbo, Ilorin and Ibadan to get the dialect right.” Her
efforts paid off, and the film was very successful. Following another success
with the sequel, Jenifa Returns, she now plans to produce a television series
based on the same character.
Jenifa was difficult,” Ms Akindele noted, due largely to the challenges
faced in raising the funds. She had not intended to play the lead role but,
after three days of fruitless auditioning, she was forced to take it on. She
created the character around the idea of a “wannabe village girl” and
imbued her with different mannerisms that she had observed in different
persons. “I carried out a lot of research for the character and travelled
as far as Oshogbo, Ilorin and Ibadan to get the dialect right.” Her
efforts paid off, and the film was very successful. Following another success
with the sequel, Jenifa Returns, she now plans to produce a television series
based on the same character.
Speaking
passionately about the need to give back to society, Ms. Akindele said that the
Jenifa Foundation had been set up to achieve this end. The Foundation aims to
help people nurture their talent by training them. As such, workshops and other
activities are organised on that platform. The areas of training include
fashion design, make up, hairdressing, bead making and drama. The Scene One
School of Drama has also been set up to contribute towards the needed manpower
development in the film industry.
passionately about the need to give back to society, Ms. Akindele said that the
Jenifa Foundation had been set up to achieve this end. The Foundation aims to
help people nurture their talent by training them. As such, workshops and other
activities are organised on that platform. The areas of training include
fashion design, make up, hairdressing, bead making and drama. The Scene One
School of Drama has also been set up to contribute towards the needed manpower
development in the film industry.
The Forum ended
with a question and answer session during which Ms. Akindele slipped into the
Jenifa character in various moments to the pleasure of the audience.
with a question and answer session during which Ms. Akindele slipped into the
Jenifa character in various moments to the pleasure of the audience.
Latest posts by bebeakinboade (see all)
- HOW TO DRESS LIKE PARISIAN WOMEN: ACHIEVING EFFORTLESS CHIC - August 14, 2024
- THE BRAVE ADVENTURE OF JOSH THE GREAT: A FAITH-FILLED JOURNEY OF COURAGE AND FORGIVENESS - August 14, 2024
- FASHION AND BEAUTY ICONS FROM AROUND THE WORLD - July 28, 2024
They should step up their script and put realness to the story line, not the present made believe script we already know where its leading God Bless Naija
i love this lady
http://www.dammyrouge.com